{"id":331,"date":"2018-12-03T12:39:54","date_gmt":"2018-12-03T10:39:54","guid":{"rendered":"http:\/\/pq.institutdelteatre.cat\/pq19\/?page_id=331"},"modified":"2020-02-26T14:19:49","modified_gmt":"2020-02-26T12:19:49","slug":"les-sis-escenografes","status":"publish","type":"page","link":"https:\/\/pq19.institutdelteatre.cat\/en\/countries-and-regions-section\/participating-scenographers\/","title":{"rendered":"PARTICIPATING SCENOGRAPHERS"},"content":{"rendered":"<p>We could say that <strong>Anna Alcubierre<\/strong>, <strong>Paco Azor\u00edn<\/strong>, <strong>Cube.bz<\/strong>, <strong>S\u00edlvia Delagneau<\/strong>, <strong>Max Glaenzel<\/strong> and <strong>Eugenio Szwarcer<\/strong> form part of a generation. They trained mainly at the Institut del Teatre and almost all of them started work in the late 1990s in a context where cultural policies and economic investment were very different from today.<\/p>\n<p>We think that what defines this generation is not a specific identity as a group but the heterogeneity of how they understand and approach scenic design. From the lighting work of Cube.bz to Szwarcer\u2019s use of video and documentary languages, from the close link between Azor\u00edn\u2019s stage direction and scenography to Glaenzel firmly assuming the role of scenographer, or Delagneau\u2019s character design to the bridge between Alcubierre\u2019s stage and exhibition spaces, they have all given a wide and personal meaning to the old, beautiful and controversial word \u201cscenography\u201d.<\/p>\n<p>In a country as small as ours this plurality means richness and possibilities. But alongside the economic, political and social transformations we are experiencing, it places us in an uncertain and changing setting full of questions about the future.<\/p>\n<p>Our desire has been to avoid a retrospective show where they are a theme to be exhibited. The idea of sharing a play, a reflection on recent cases of social conflict using their tools and artistic languages has been a valuable material for the creators. The stand we present has been built around their contributions.<\/p>","protected":false},"excerpt":{"rendered":"<p>We could say that Anna Alcubierre, Paco Azor\u00edn, Cube.bz, S\u00edlvia Delagneau, Max Glaenzel and Eugenio Szwarcer form part of a generation. They trained mainly at the Institut del Teatre and almost all of them started work in the late 1990s in a context where cultural policies and economic investment were very different from today. We &#8230; <a title=\"PARTICIPATING SCENOGRAPHERS\" class=\"read-more\" href=\"https:\/\/pq19.institutdelteatre.cat\/en\/countries-and-regions-section\/participating-scenographers\/\" aria-label=\"More on PARTICIPATING SCENOGRAPHERS\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":1749,"parent":184,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>PARTICIPATING SCENOGRAPHERS - PQ19-Catalunya - INSTITUT DEL TEATRE<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/pq19.institutdelteatre.cat\/seccio-paisos-i-regions\/escenografes-participants\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PARTICIPATING SCENOGRAPHERS - PQ19-Catalunya - INSTITUT DEL TEATRE\" \/>\n<meta property=\"og:description\" content=\"We could say that Anna Alcubierre, Paco Azor\u00edn, Cube.bz, S\u00edlvia Delagneau, Max Glaenzel and Eugenio Szwarcer form part of a generation. They trained mainly at the Institut del Teatre and almost all of them started work in the late 1990s in a context where cultural policies and economic investment were very different from today. We ... 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